Gender in the School of Mirrors: Frankenstein 1 2 5 Logics of Romanticism: Binary Decomposition Postmodern Postscript: Concentric Collapse in Twin Peaks 119įraeta. Time in the School of Mirrors: "Tintern Abbey" and "Frost at Midnight" Gyroscopophilia: Wordsworth's "Slumber" 90 Wheel within Wheel: Blake's Recursive Physics 69
The Roughness of the Beast: "The Second Coming" 6 1 In the Wake of the Book: "The Mask of Anarchy" 5 8 Mixing Mixture and Fixture: "The Clod and the Pebble" 53Ĭounterperformativity and Self-Difference: Elisabeth Hands 54 The Hegemony of Hegemony: Wordsworth's Fractal Distinction 48 Mixture and Fixture: Political Thermodynamics in Burke and Paine 42 Reversal, Turning Inside Out, Horizontalization 3 4 Is an equal-opportunity educator and employer. Chaotic behavior in systems in literature. Literature, Modern-20th century-History and criticism.Ģ. Includes bibliographical references and index. Livingston, Ira, 1956Arrow of chaos: romanticism and postmodernity / Ira Livingston, LIBRARY OF CONGRESS CATALOGING-IN-PUBLlCATION DATA Printed in the United States of America on acid-free paper Published by the University of Minnesota Press The prior written permission of the publisher. Reproduced, stored in a retrieval system, With permission of the Johns Hopkins University Press. Watt, Ltd., on behalf of Michael Yeats,Ĭhapter 6, "Traffic in Leeches," appeared in American Imago and is reprinted in revised form Yeats, reprinted by permission of Simon & Schuster and by Finneran,Ĭopyright 1924 by Macmillian, renewed 1952 by B.
Yeats: A New Edition, edited by Richard]. Yeats, "Second Coming," from The Poems ofW. Reprinted by permission of Professor Tay and the Council on East Asian Studies, Harvard University Īnd W. Kinkley (Council on East Asian Studies, 1985), William Tay's translation of Gu Cheng's "Curve," from After Mao: Chinese Literature and "Gains" and "Composition," from Bei Dao, Old Snow, copyright 1991 by Bei Dao, are reprintedīy permission of New Directions Publishing Wallace Stevens, "Of Mere Being," from Opus Posthumous,Ĭopyright 1957 by Elsie Stevens and Holly Stevens, and lines from "Notes toward a Supreme Fiction,"įrom CollectedPoems, copyright 1942 by Wallace Stevens, reprinted by permission of Alfred A. nd Technologic.1 Horilonl Eric MichaelsĬopyright 1997 by the Regents of the University of Minnesota A Potenti.1 Politics Paolo Vimo and Michael Hardt, editorsĪ Critique of the St.te-Form Michael Hardt and Antonio Negri
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